In an article for the Annapolis
Capital Gazette, Theresa Winslow covers Maestro José-Luis Novo’s
chapter contribution to Practicing Sustainability. I’ve been a fan of Maestro
Novo since my graduate school days. Included below is the article, posted here with permission:
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Green Music
Capital Gazette
Posted: Sunday, January 20,
2013 5:00 am
By Theresa Winslow, Staff Writer
Annapolis has a Green Drinks group,
Green Beer Races and green space.
Now, it also has green musicians.
No, the members of the Annapolis
Symphony Orchestra aren’t going paperless. They still need their sheet music.
But as José-Luis Novo explains,
composers always recycle material, drawing from colleagues and culture for
inspiration. So, the ASO’s musicians are simply contributing to a longstanding
musical tradition.
Novo, the orchestra’s music
director, writes about music and recycling in the new book “Practicing
Sustainability.”
Published by Springer in October,
the book looks at issues typically confined to the environment from the
perspective of many different fields, ranging from community development and
medicine to education and historic preservation.
“We thought this would be a very
interesting and significant complement to the more technical, scientific
approach to sustainability,” said David Packer, executive editor at Springer in
New York City.
Scoring a book deal
Novo’s participation in the project
owes to his work with the Binghamton Philharmonic. He splits time between the
New York State-based group and the ASO.
Guruprasad Madhavan, lead editor of
the book, was a frequent concertgoer in Binghamton when he was in graduate
school and became a fan of Novo’s. When he came up with the idea for the book,
he contacted the conductor.
Madhavan, who has an engineering
background, said there’s a great deal of similarity in the way he and Novo
think about issues.
Still, Novo balked when first
approached about the book because of time constraints. But after he met with
Madhavan, he decided to give it a try. “The concept he had was powerful,”
Madhavan said.
The book wasn’t the first time Novo
considered the topic of music and recycling.
In the ASO’s 2010-11 season, he
organized the concert “Recycling Redefined,” in which works of Brahms and
Rachmaninoff were highlighted. Novo writes about this, noting that both
composers “recycled some of their themes from either tradition or previous
compositions.”
Other luminaries, as well as
present-day composers, do the same, and this makes music sustainable, he said.
“Often, you hear from people classical music is a dead art form. This couldn’t
contradict that more.”
Even the title of Novo’s chapter in
the book is an example of recycling, since it draws on the name of the concert.
The chapter is “Recycling Reinvented: Music and Sustainability.”
“Art, in order to subsist, has to be
sustainable,” the music director said. “If it doesn’t connect with what it
comes from, it’s never going to have an impact on society.”
Novo said art is like to science in
this way.
“Scientists are always ahead of
their times, inventing the next gadget or concept,” he said. “Artists are the
same, inventing the concept of how human beings interact and relate to the
world.”
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